HKDSE Music Paper 3, Creating, has been one of the core papers in the music examination since 2012. However, in the past, music teacher training in Hong Kong emphasizes the areas of listening and performing only. Therefore, current Hong Kong music teachers have received little training in composing. They do not have confidence in teaching composition for the demanding HKDSE syllabus which requires students to create a composition of 6 to 15 minutes. There are very few teaching and learning resources for musical composition for the senior secondary school level. Teachers find teaching this paper very challenging under this situation.
With the advancement of technology, students have easy access to a tablet or smartphone which enables them to create music. However, music teachers who are trained in an earlier period did not receive training in music technology. They are not able to teach composing with new technology and find it difficult to combine technology and composition in the curriculum. Further, due to the lack of resources in composition pedagogy with mobile computing technology, music teachers have difficulty teaching composition effectively.
On the other hand, the creative process of students is often hindered due to their limited performing skills making it difficult for them to realize their creative idea. Through this all round research project, by applying a theoretic framework, a teaching manual will be produced to provide further resources, teaching guidelines and solution to students. This case study will further validate the pedagogy and make the necessary refinements.
Current Teaching & Learning
* Visual presentation (i.e. Composition + Performance + Listening)
* Composition topics
Cheung, J. (2004). Mapping music education research in Hong Kong. Psychology of Music, 32(3), 343-356.
Creswell, J. W. (2006). Qualitative inquiry and research design: Choosing among five approaches (2nd ed.). London: SAGE Publications (CA).
Curriculum Development Council, Hong Kong Examinations and Assessment Authority, & Hong Kong Education and Manpower Bureau. (2007). Music curriculum and assessment guide (secondary 4-6). Hong Kong: Hong Kong Government.
Hickey, M. (2003). Why and how to teach music composition : A new horizon for music education. Reston, Va.: MENC, The National Association for Music Education.
Lupton, M., & Bruce, C. (2010). Craft, process and art: Teaching and learning music composition in higher education. British Journal of Music Education, 27(3), 271-287.
Odam, G. (2000). Teaching composing in secondary schools: The creative dream. British Journal of Music Education, 17(2), 109-127.
Paynter, J. (2000). Making progress with composing. British Journal of Music Education, 17(1), 5-31.
Philpott, C., & Spruce, G. (2012). Debates in music teaching Routledge.
Pitts, A., & Kwami, R. M. (2002). Raising students' performance in music composition through the use of information and communications technology (ICT): A survey of secondary schools in England. British Journal of Music Education, 19(1), 61-71.
Randles, C., & Sullivan, M. (2013). How composers approach teaching composition: Strategies for music teachers. Music Educators Journal, 99(3), 51-57.
Yu-Wu, R. Y. W. (1997). The training of music teachers in Hong Kong. In E. Choi, & M. S. Auh (Eds.), The 1st Asia-Pacific Symposium on Music Education Research (pp. 237). Korea: Korean Music Education Society.